Ways of Curating
(eBook)

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Published
Farrar, Straus and Giroux, 2014.
Format
eBook
ISBN
9780374712327
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Hans Ulrich Obrist., & Hans Ulrich Obrist|AUTHOR. (2014). Ways of Curating . Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Hans Ulrich Obrist and Hans Ulrich Obrist|AUTHOR. 2014. Ways of Curating. Farrar, Straus and Giroux.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Hans Ulrich Obrist and Hans Ulrich Obrist|AUTHOR. Ways of Curating Farrar, Straus and Giroux, 2014.

MLA Citation, 9th Edition (style guide)

Hans Ulrich Obrist, and Hans Ulrich Obrist|AUTHOR. Ways of Curating Farrar, Straus and Giroux, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa1721f98-b156-a9df-4f04-27adbde3db27-eng
Full titleways of curating
Authorobrist hans ulrich
Grouping Categorybook
Last Update2024-05-14 23:01:27PM
Last Indexed2024-05-21 02:00:17AM

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First LoadedMar 27, 2023
Last UsedMay 21, 2024

Hoopla Extract Information

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    [synopsis] => Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. 

Ways of Curating is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of the collections from Athanasius Kircher's 17th-century Wunderkammer to modern museums, and points the way for projects yet to come. Hans Ulrich Obrist has rescued the word "curate" from wine stores and playlists to remind us of the power inherent in looking at art-and at the world-in a new way.
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